'Music 100 Concert Report Essay\r'

'allegro, as the prototypical movement is named, means to have a dissolute paced tempo. This movement starts with the archetypicalborn and second violins playing followed by the violoncello and viola, then finally the clarinet comes in e actuallyplace the rest of the musicians. This movement may be luxuriant paced, nevertheless the tone of the movement is melancholy in some areas. The root of the movement is vie some(prenominal) times over. The theme of Allegro is the opening phrases where the introductory-class honours degree and second violins start, then summarize in the cello and viola, then the clarinet.\r\nThis repeating phrase throughout the set-back movement helps create a pattern and a story. What is interesting in this movement is that the opening theme sets up the rest of the magical spell. Brahms changes the theme in for each one movement, but this original theme is still pay in each movement after. The end of Allegro is built up into a large flood by using crescendo, a heavier and to a immenseer extent uncivilised bow stroke, and more rapid notes than are drink in the rest of the piece. The Adagio, in contrast to the firstborn movement, is s trim down paced and softer. The tone of this movement is in swell contrast to the first as well. The wit is wickedness and full of anguish and despair, whereas in the first the mood was lighter.\r\nThis mood is created by the difference in the tendency in which the musicians are playing. The clarinet in this movement plays lower notes that are sustained for long periods of time darn the violin plays the melody over it. The first ii movements of the piece are much lengthier than the last both movements. The third movement, Andantino, is faster than andante- which is a walking pace- but slower than moderato. The tempo marking andantino is more lively than andante. The third movement serves as a transition into the last movement.\r\nIn this movement at that place is pizzicato, which is the plucking of the strings on a string instrument. The first and second violins, cello, and viola use this technique in this movement while the clarinet plays the melody over them. The first violin adds in by playing on the string again, and then the rest of the strings add in playing using their bows instead of plucking the strings.\r\nThe twenty-five percent movement, Con moto, is different from the previous movements because of the tone and elbow room of this section, but it also revisits the original theme of the first movement, which ties all the movements together. The original theme is used as a framing device throughout the entire piece.\r\nBetween each time the theme is played, there are different styles of other themes played. Some are mellower while others are more of a scherzo, which is a lively part within a larger work. This piece was preformed wonderfully by the GVSU Chamber Players. They played passionately and because of this, the audience could better under stand the piece and what Brahms intended the audience to feel when they listened to his work. The players made great use of dynamics throughout the piece and they were very skilled in the different styles Brahms wrote into the music. I very enjoyed the concert and look forward to going to another(prenominal) soon.\r\n'