The Role of Femininity in Shakespeares Hamlet, Othello, and King Lear

The Role of Femininity in Shakespeares Hamlet, Othello, and fag Lear Hamlet, Othello, and King Lear similarly experience an unhooking (Tompkins) in the eponymous plays. These tragic figures struggle with internal and external femininity after realizing their emotions and labeling them feminine, they identify women as the source of this negative femininity. Their inability to deal with the female gender in any form destabilizes their masculinity, causing an unhooking/unlatching within them. The origin of Hamlets psychological molder lies in his anger towards Gertrude and his inability to adjust to her marrying Claudius. From Hamlets perspective, Gertrude giving herself to a refreshful husband signifies her failure to honor his father and her abandonment of Hamlet he is figuratively orphaned, and he resents his sole living parent. Additionally, Hamlets emotional confidence has been significantly damaged seeing his mother with another man substantiates the possibility that his eme rging wife could leave him for another man and endeavour him serious pain. This fruition compels Hamlet to mask his tactual sensations for Ophelia with madness, a defense mechanism intended to blot out his vulnerability. Ophelia reports that he appeared with his doublet all unbracd,/No hat upon his head, his stockins fouled,/Ungartred, and down-gyved to his ankle (2.1.75-7), but as Hamlet is well-aware of the dress code, he likely intended for his behavior to be viewed as unacceptable and thus mad. Throughout the play, Hamlet has difficulty reacting to his feelings and the women who cause them. Because he wishes he could act instead of speculating, Hamlet curses his own femininity Fie upont, foh (2.2.584-7). Secondly, his anger towards Ophelia is like... ...ing his death however, this occurs too late, as Goneril and Regan have left his good deal to Edmund, convinced that their father has lost all reason. Similarly, Othellos unhooking is so complete that the hardly way Desdemo na could have survived is if he kills himself first. In contrast, Hamlet could have lived, feeling the grief of Ophelias death, had he not rejected his characteristic inaction, which he believed to be connected with his emotions and thus feminine. Works CitedBradley, A.C. King Lear. 20Lh Century Interpretations of King Lear. Ed. Jane Adelman. natural Jersev Prentice-Hall, 1978.Neely, Carol. Women and Men in Othello Critical Essays on Shakespeares Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994.Shakespeare, William. King Lear. The Complete Works of Shakespeare. Ed. David Bevington. New York HarperCollins, 1992.